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𝗧𝗵𝗲 𝗢𝗿𝗴𝗮𝗻𝘀 𝗢𝗳 𝗧𝗵𝗲 𝗜𝗺𝗮𝗴𝗲

𝗧𝗵𝗲 𝗢𝗿𝗴𝗮𝗻𝘀 𝗢𝗳 𝗧𝗵𝗲 𝗜𝗺𝗮𝗴𝗲

𝗧𝗵𝗲 𝗢𝗿𝗴𝗮𝗻𝘀 𝗢𝗳 𝗧𝗵𝗲 𝗜𝗺𝗮𝗴𝗲

𝗧𝗵𝗲 𝗢𝗿𝗴𝗮𝗻𝘀 𝗢𝗳 𝗧𝗵𝗲 𝗜𝗺𝗮𝗴𝗲
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The Organs Of The Image (2024)
Installation at the Bezalel Academy, Jerusalem.

TWO GIRLS ONE WEAK NATION

TWO GIRLS ONE WEAK NATION

TWO GIRLS ONE WEAK NATION

TWO GIRLS ONE WEAK NATION
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TWO GIRLS ONE WEAK NATION (2024)
Collaboration with Dafna Ben Ari. Installation at the Bezalel Academy, Jerusalem.

A rabbit, a chick and a balloon walks into a gallery

A rabbit, a chick and a balloon walks into a gallery

A rabbit, a chick and a balloon walks into a gallery

A rabbit, a chick and a balloon walks into a gallery
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A Rabbit, A Chick, And A Balloon Walk Into A Gallery (2023)
Installation at the Bezalel Academy, Jerusalem.

zucki

zucki

zucki

zucki
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Zucki (2023)
Bezalel Academy, Jerusalem
The sculpture Tsuki deals with the shifting balance of power in society. The unrecognizable features of the distorted statue are a shadow of Mark Zuckerberg. Behind his glazed eyes, a bitter joke is hidden. Before the high-tech revolution, the navel of the world, what was once in the hands of the sturdy militant man, passed into the hands of a pink-haired computer geek. It is a dramatic movement that should be frozen in time. Leading key figures are embodied as liquid, invertebrate mollusks representing an era of a different heroic presence. The body of the sculpture is a closed tube, like the name of the closed society. The miserable figure can be viewed as if it were identical to us, but in the closed tube, it hides a cool distance, a dark pop icon.
ode to facebook (2023)
Installation at the Bezalel Academy, Jerusalem.
On the screen, there's a deep fake video of Mark Zuckerberg's face talking with his voice through an AI program about Talia Elbo, the artist. He explains why he blocked her Facebook account. In the middle of the room, there's a living head. If you talk to it, it will respond, but the head is made out of a UV map of Zuckerberg's face, so he is not recognizable. The head acts as a bot, and there's a projection of the Windows XP wallpaper as if that wallpaper precisely was a prophecy for our times. On the screen, there's a deep fake video of Mark Zuckerberg's face talking with his voice through an AI program about Talia Elbo, the artist. He explains why he blocked her Facebook account. In the middle of the room, there's a living head. If you talk to it, it will respond, but the head is made out of a UV map of Zuckerberg's face, so he is not recognizable. The head acts as a bot, and there's a projection of the Windows XP wallpaper as if that wallpaper precisely was a prophecy for our times.
The monotony of grandma and grandpa (2022)
3D scan that projected on a wall and a CRT TV screen, Bezalel Academy, Jerusalem.
My work explores generational gaps and unspoken family tragedies through the excessive use of technology, drawing inspiration from the world of computer games. The piece features 3D scans of my grandparents, depicted as avatar characters in a computer game, seemingly waiting for something to happen. Two old TV screens display their current use, serving only for nostalgic purposes. A film plays on the screens for an hour, showing each of them doing nothing. This offers a glimpse into these characters' repetitive lives—their appearance hints at some untold story behind their existence.
What A Doll (2023)
sculpture made of printed fabric, Acrylic fiber filling, and a wig. Installation at the Artools, Jerusalem.
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